About Documentation Project
Karnataka has had a long history in theatre. However, there has not been much systematic audio-visual documentation of plays. Sanchi Foundation decided to partner with Ninasam, a premier theatre school in Karnataka, for a documentation project. Three productions of 2015 by Ninasam were recorded in a multi-camera setup and edited to state of the art audio-visual standards. Sanchi also added a value addition by having various features around it. The documentation included the director’s commentary, interpretation of the text and a documentary on Ninasam and its heritage. English subtitles were present in the entire documentation. These features reach out to a large audience. It not only entertains but also educates the audience. It will also appeal to historians, academics and scholars in the years to come. Sanchi Foundation hopes that through this pilot project, many more will start documenting our great theatre heritage.
Ninasam, Heggodu is one of the finest theatre institutes in India. With its multifaceted activities in the field of art and culture, it has groomed innumerable intellectuals, theatre personalities and filmmakers. It is one of the best repertories, with some of the iconic productions in the history of theatre in India. The two-decade-old repertory has seen over a hundred shows for each play every year! Most of Ninasam’s productions are documented through photographs and write-ups. However, with the advent of new technologies and a pressing sense of documentation, Ninasam has set foot into audio-visual documentation.
Established in 1949, Ninasam has grown in to many branches of knowledge today. One of the important and oldest wings is its local theatre troupe. A group with floating population of local theatre enthusiast of Heggodu and surroundings work on a play almost every year since its inception. Some of the important productions are ‘Shahajahan’, ‘Sangya Balya’, ‘Chomana Dudi’, Ghasiram Kotwal’ and so on. The plays are not only directed by local directors, many times directors on national and international repute like B.V Karanth, Chandrashekar Kambara, Prasanna, Prakash Belwadi, Raghunandana, Channakeshava and so on. These plays are usually staged in Heggodu and surroundings. They have also been staged in many parts of Karnataka.
Tirugata is the repertory of Ninasam established in 1985. Group of 20 (past students of Ninasam Theatre Institute) formed every July; rehearse that season’s plays and travel all over the state till following March. Tirugata usually travels for four months a year and gives one show for every 50-100 kms of travel; performing almost every day (roughly, 120 shows in 140 days) Tirugata has over 85 productions so far with more than 3400 shows and has catered to over 20-lakh audiences. 80% of the shows have been done in small towns or still smaller places; has covered all districts of Karnataka, almost every year. Plays include Western, Indian and Kannada; directors are invited from Karnataka and outside as well.
Sanchi Foundation believes in community participation to take this project to next level. To begin with, we would like to translate the subtitles to all the plays in all possible languages. So if you are willing to help us in this project, please get in touch with us.
Documentation is the thing for future. These documentations will serve as resource for future experiments.K.V Akshara
Various Chapters from Ninasam Plays Documentation(Links will open the Youtube URL in a different window)
From Ninasam Documentation
- About Manju Kodagu
- Style of Manju Kodagu
- First encounter with Gunamukha
- Adaptation to the stage
- Opening of the play
- Approach to the play
- Stage design
- Style of the play
- Alavi Khan
- Alavi Khan’s companion
- Shamshuddin Khan
- Song and Dance in Gunamukha
- Climax of the play Gunamukha
From Oresthis Purana
- Oresthis Purana
- About Venkatramana Aithala
- Journey of Oresthis Purana
- Possibilities of village troupe
- Attraction towards Oresthis Purana
- Oresthis Purana title
- Adapting to the stage
- About Stylization
- Localizing the play
- Costume & Make up
- Modern voices
- Violence on stage
- Role of the group
- Climax of the play Oresthis Purana
We thank Ninasam community, HeggoduAll who helped this project Directly and indirectly
Ashoka Vardhana | Ila S. Bhat | M. T. Hebbar | H. Sundara Rao | Dr. Krishna Mohan Prabhu | Dr. Nisarga | Prasanna K.R | Vachan Shetty| Shailaja S. Bhat
Sanchi Foundation Documentation team
Camera – Vishnu Prasad, Lakshman Nayak, Somanatha | Camera assistant – Avinash | Sound design – Jamie DSilva | Additional Sound – Shishira K.V | Editing of plays – Prashanth Pandith | Interviews – NAM Ismail | Editing of interviews – Abhaya Simha | Internet technology – Omshivaprakash | Subtitles – Avinash G. | Photograph – Pavithra, Omshivaprakash | Documentation Direction – Abhaya Simha
Ninasam Tirugata 2015
Written by P. Lankesh | Music – Akshara K.V | Design and direction – Manju Kodagu | Gunamukha actors – Avinash Rai M.K (Nadir Sha), Chandan M (Najiruddin Sha, Shamshuddin Khan, prayer group), Dayanan Pallavagere (Nijam-Ul-Mulk, dancer), Nagaraja Shirasi (Nazir, Chorus, Afzal, Shamshuddin Khan, prayer group), Bindu Rakshidi (Alavi Khan, Chorus), Manoj Sukhdev (Tanvir, Singer, Prayer group), Mohan Sheni (Rajvi), Sharat S. (Sadath Khan, Dancer, Hamid,Prayer group, Mamthaz, Group), Shruti V. Tiptur (Ikbal, Percian messanger, Group Pasha, Faruq, Prayer group),
Written by – Molière | Translation – A.N Murthy Rao | Costume Design , Music – Jagadisha | Design , Direction – M. Ganesh | Tartuffe Actors – Avinash Rai M.K (Valère), Chandan M. (Cléante), Dayanand Pallavagere (Damis, Police, Flipote), Nagaraja Shirasi (Tartuffe), Bindu Rakshidi (Elmire), Manoj Sukhdev (Damis, Police, Flipote), Mohan Sheni (Orgon), Manju Sirigeri (Loyal), Sharath S.(Madame Pernelle), Shilpa (Mariane), Shruthi V. Tipaturu (Dorine), Hanumappa Chalavadi (Laurent) | Lighting – Avinash Rai M.K, Dayanand Pallavagere, Nagaraja Sirasi | Light management – Manju Sirigeri | Stage design – Mohan Sheni, Manoj Sukhdev, Sharath S., Shubhakara | Costumes – Shruti V., Chandan M. | Makeup – Shilpa S.| Equipments – Bindu Rakshidi | Music/sound – Ravikumar B. | Stage manager – Avinash Rai M.K | Stage movement – Suraj B.R| Dance design – Vinith Kumar | Costumes – Vidya Hegde| Light design – Krishnamurthi M.M
Tour manager – Hanumappa Chandappa Chalavadi | Office maintenance – Shrikantha G.R | Planning and execution – Shripada T. Bhagavath
Based on trilogy of – Greek tragedies | Written by – Aeschylus | Translated by – Dr. Vijaya Guttala | Direction – B.R Venkatramana Aithala | Actors – Subbanna Nandre (Agamemnon), Vidya Hegde (Clytemnestra), Sushila Hegde (Aegisthus), Nagaraja M.S (Cassandra), Saurabha K, Suhana M. (Oresthis), Channakeshava S.H, Chaitrakumar Mavinakuli (Electra), Arpitha B., Vibha Aithala (Apollo), Kiran S. Purappemane (Athena), Madhunisha (Hermes), Shankara Bhat (Messanger), Ramesha N.M. Nandre, Naveen Malavalli (Guards), Jayaprakash Shetty Hebbailu, Raghavendra N. Kalkoppa, Naveen Malavalli (Pilates), Naveen Malavalli (Servant), Ganesha H.B (Child Oresthis), Samartha P.N (Chorus), Shankara Bhat, Ramesha N.M Nandre, Jayaprakash Shetty Hebbailu, Naveen Malavalli, Kirana S. Purappemane,Chaitrakumar Mavinakuli,Sampada S. Bhagavatha, Darshan H.S, Raghavendra N. Kaloppa, Shreedhana B.N (Semnai – Venerable Ones), Vidya Hegde, Darshan H.S, Sampada S. Bhagavatha, Saurabha K., Arpitha B., Suhana M., Vibha Aithala, Mayura Hegde, Samartha P.N (Elderly citizens), Narahari M.V, Siddavirappa M.G, Narayana Swami P.K, Subbanna Nandre, Ramesha N.M Nandre, Nagaraja M.S, Shankara Bhat, Shreedhana B.N | Stage management – M.S. Nagaraja | Stage craft -Jayaprakash Shetty Hebbailu, Subbanna Nandre, Kirana S. Purappemane, Channakeshava S.H, Shreedhana B.N | Costumes – Vidya Hegde, Sushila Hegde, Arpitha B., Vibha Aithala | Lighting – Naveen Malavalli, Raghavendra N. Kalkoppa, Channakeshava S.H, Sampada S. Bhagavath, Ganesha H.B, Darshan H.S, Narayana Swami P.K | Properties – Chaitrakumar Mavinakuli, Shankara Bhat, Suhana M., Ramesha N.M Nandre, Saurabha K. | Music – M.P. Hegde, Bhargava K.N | Publicity – Siddavirappa M.G, Shreedhan B.N, Narahari M.V | Stage Design – Manju Kodagu | Light design and operation – M.M. Krishnamurthy | Assistance – Avinash Rai | Dance design – Suraj B.R | Technical help – Harisha Chalavadi, Praveen Sulya, Ramesha P.K, Phaniyamma H.S
Sanchi Foundation (R) has joined forces with Ninasam for this documentation project. Sanchi Foundation is a not for profit organization working for the documentation of audio-visual heritage. Sanchi Foundation has a vast experience in audio-visual documentation.
Support by Funding this project
Sanchi Foundation works through public contributions.
All donors will receive a receipt from Sanchi Foundation (R).
Donation to Sanchi Foundation is recognized under 80G for income tax exemption.